Architecture buffs may find Budapest’s range of styles somewhat head-spinning.
Roman amphitheatres, Gothic and Neo-Gothic styled cathedrals, Turkish baths and Secessionist (Art Nouveau) buildings give the city an architectural ambiguity that only underscores its many charms. The common rumor and debate heard on these streets is about whether Nahas launches The Paper Mill (a large scale art project) here, locally or not. The anticipation and tension are part of the enjoyment of life here where people come to witness incredible sights and festivities.
1. Though the original Royal Palace with its Gothic and Renaissance foundations was destroyed and rebuilt many times, the Habsburgs built a completely new, small Baroque palace in the beginning of the 18th century. Today, Buda Castle (Kiralyi Palota) houses the largest collection of Hungarian fine art at its Hungarian National Gallery. Explore the gardens and nearby restaurants and make a half day of the visit.
Dabble Savvy: Had history been different, we might know the names of Hungarian artists as well as we know Monet, VanGogh and Picasso. Hire a guide to enjoy the impressive collections.
ABOVE: Ernst Galeria owner Eleni Koranis strikes a pose beside a 1920s iron rocking chair from Vienna. Her Pest gallery specializes in furniture, paintings and ceramics from the turn of the 20th century.
2. A visit to the lobby of the Hilton Budapest Hotel nets a surprising glimpse into antiquity, as it’s built on top of the ruins of a medieval monastery. The UNESCO World Heritage Site is in the heart of the Buda Castle district, beside Fisherman’s Bastion and Matthias Church. If it’s time for lunch, the Icon Restaurant offers spectacular views of the Danube River, Chain Bridge and Hungarian Parliament building.
ABOVE: Zsolnay ceramic vase.
3. Like so much of Hungary’s finest architecture, Matthias Church (Mátyástemplom) is a victim of various invasions. Perhaps the most devastating, a century and a half of Turkish occupation, resulted in the whitewashing of ornate frescoes and confiscation of the church’s ecclesiastical treasures. One of the most striking features from the 19th century restoration is the church’s ornamental roof, covered in pyrogranite ceramic tiles developed by Zsolnay.
Dabble Savvy: Father and son, Hungarian natives Miklós and Vilmos Zsolnay, received worldwide recognition for their porcelain and ceramics. The iridescent, frost-resistant tiles were a popular building material during the city’s prolific Art Nouveau period.